I have painted the landscape since the beginnings of my artistic growth. Along the journey, as I found new places that resonated with me, I added these to my repertoire. I have populated some of them with architecture and people, as my observation and sense of the place suggested.

My key to understanding how to paint a particular landscape is formed by my perception of its color and light, and by how I move through the place and react to it. For instance, a walk through woods brings me back to somewhere on the walk to paint. Without the walking, I would not have felt myself to be part of it as thoroughly.